Large format, fresco and graffiti, however, are pastimes evolved over the last decade or so.
Works are very low cost; some are sponsored as I sponsor in turn.
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What i looked like in 2011
Drawing on walls in 2010
how it starts, apparently
• 2007 -2010 •
• 2012 - 2018 •
My work is characterised by the inclusion of time and the coincidence of urban objects. typically, between 8 and 25 colours are employed and may span dozens of passes over several months. Most should seem impossible to paint undetected. Works seen from the road should animate in passing; work seen from path should have an unfolding message that relates to the viewer. Only stencil art is in a single colour and can only be found in the most inaccessible places. No work is tagged. My materials are mostly sponsored and I, in turn, pass that sponsorship on to a few young artists so they may formulate their own expression.